Giving
meaning to an absurd
death Christian Cummins
Letters from a shrinking globe: around the day in 80 worlds FM4
4 October 2006
I swear that I have never read a stranger nor more compelling odyssey than
Israeli writer AB Yehoshua's "A Women in Jerusalem" which begins
like this:
"Even though the manager of the human resources division had not
sought such a mission, now, in the softly radiant morning, he grasped its
unexpected significance".
An uptight and unnamed Israeli bureaucrat from Jerusalem is in the frozen
wastes of a former Soviet Union gradually falling in love with the coffin
of a beautiful former employee who he never knew.
It makes Jonathon Safran Foer's "Everything is Illuminated" seem
downright predictable.
Just One More Bomb
The
journey begins in Jerusalem, and since this is the 21st century where "pedestrians
(are) routinely exploding in the streets" it begins with a
suicide bombing. One of the terror victims is the beautiful Slavic woman
called Yulia Ragayev, the occupant of the coffin and the only character
named in this bizarre and thin little book. But in life Yulia was an
anonymous victim. The only reference for identification the authorities
find is a pay-slip from a famous bakery showing she worked as a cleaner on
the night shift.
A Quest for Lost Humanity
This would be just one
more meaningless death on the streets of Jerusalem, if it was not for the
article of a local shit-stirring journalist, referred to as "The
Weasel". The charge of heartlessness he makes is a piece titled "The
Shocking Inhumanity Behind Our Daily Bread" mortifies the owner
of the bakery and makes him determined to respond:
"The human resources manager snorted. 'Who cares about such
things? And especially in times like these.'
'I care.' The owner replied irritably. 'And especially in times like
these... You still don't realise how upsetting it is to be called inhuman.
What is left to us if we lose our humanity?'"
The owner charges his manager with ensuring the woman a dignified funeral
and so he sets off on his odyssey. He soon overcomes his reluctance and
quickly drawn into a moving but unsentimental crusade for spiritual
redemption.
He is looking for atonement for the nonsensical bloodshed that is
destroying his home city, for the nonsensical conflict that has ruined his
marriage and for his indifference to the teaming humanity that he suddenly
realises has always been around him.
Hallucinatory Prose
The plot is not the
only strange element in the novel. The prose has the sort of hallucinatory
effect of a Kafka novel, perhaps enhanced by namelessness of its living
characters and the dream-like landscape of frozen Russia. But most of all
you can feel the love of good story-telling from a man known as the
Faulkner of Israel. It's fast moving, it's very funny, and it's warm. But
beneath the surface the bureaucrat's thirsty reawakening left me aching
somewhere deep inside.
So when I finished the 198th and final page, I tossed the book over again
and started all over:
"Even though the manager of the human resources division had not
sought such a mission, now, in the softly radiant morning, he grasped its
unexpected significance."
A Voice for Peace in a Worn Torn Land
Yehoshua knows a thing
or two of the absurdity of terror fatalities. He spoke at the funeral of
two Arab waiters he had got to know well who were among 19 people killed
by a lunchtime bomber at Maxim, a seashore restaurant in Haifa, his home
town. His book is dedicated to his friend and peace-activist Dafna who was
killed by a bomber on Mount Scopus while he was writing this very book. In
Israel he is identified with the peace camp, arguing for withdrawal from
80 per cent of the territories occupied in 1967, long before Ariel Sharon
contemplated disengagement from Gaza.